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X-WR-CALDESC:Events for Diverse Artists Network
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DTSTART;TZID=Europe/London:20260131T100000
DTEND;TZID=Europe/London:20260510T170000
DTSTAMP:20260503T124526
CREATED:20260320T070044Z
LAST-MODIFIED:20260324T064919Z
UID:7567-1769853600-1778432400@www.diverseartistsnetwork.com
SUMMARY:RAIN/RUIN by Phillip Lai
DESCRIPTION:Spike Island presents a major solo exhibition of new work by Phillip Lai (b.1969\, Kuala Lumpur)\, bringing together a body of sculptural commissions that continue the artist’s exploration of the material world around us. \nThis will be the most significant institutional presentation of Lai’s work to date. Lai’s sculptures combine everyday objects with his own intensive re-makings of them to create a parallel imprint of the real world. Free entry. \nFor access information refer to venue’s website. \n  \n 
URL:https://www.diverseartistsnetwork.com/event/rain-ruin/
LOCATION:Spike Island\, Spike Island 133 Cumberland Road\, Bristol\, BS1 6UX
CATEGORIES:DIASPORA! 2026,Exhibition,Festival
ATTACH;FMTTYPE=image/jpeg:https://www.diverseartistsnetwork.com/wp-content/uploads/2026/03/RAINRUIN-P.Lai-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260131T100000
DTEND;TZID=Europe/London:20260510T170000
DTSTAMP:20260503T124526
CREATED:20260324T064804Z
LAST-MODIFIED:20260404T103035Z
UID:8240-1769853600-1778432400@www.diverseartistsnetwork.com
SUMMARY:Feedback by Olukemi Lijadu
DESCRIPTION:Spike Island presents Feedback\, the largest solo exhibition by Nigerian-British artist\, filmmaker and DJ Olukemi Lijadu. Developed through research in Chicago\, Lagos and Bristol\, the exhibition centres on a major new film commission marking a landmark in the artist’s moving image practice. \nThe film uses audio feedback as a metaphor for the circulation of rhythm\, memory and cultural codes within the African diaspora. Tracing the evolution of the drum from West African tradition to electronic music\, Lijadu explores how looping underpins not only music but collective memory and connection across continents and generations. \nA sound system completes the installation\, drawing from Bristol’s sound system culture and functioning as a physical metaphor for the amplification of histories\, voices and vibrations. Inspired by early abstract cinema\, Feedback embraces repetition\, tempo and visual rhythm\, subverting a Western-centric art history in the process. \nFeatured image: ‘Feedback’ works in progress (2025). Courtesy of the artist. \nABOUT OLUKEMI\nOlukemi Lijadu is a multi-disciplinary artist and DJ\, with a focus on moving image and sound. She was recently a recipient of London’s ICA Image Behaviour grant where she was commissioned to create and debut her most recent film-performance Guardian Angel.  \nIn 2018\, she graduated from Stanford as a masters student in Philosophy where she focused on African philosophical systems. Her academic background grounds her research-based approach to her artistic practice. Her work explores questions around music of the diaspora\, heritage and the complexity of feeling.\n\n@kemkemlij 
URL:https://www.diverseartistsnetwork.com/event/feedback-by-olukemi-lijadu/
LOCATION:Spike Island\, Spike Island 133 Cumberland Road\, Bristol\, BS1 6UX
CATEGORIES:DIASPORA! 2026,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.diverseartistsnetwork.com/wp-content/uploads/2026/03/Feedback_Still_01-scaled-1800x1200-c-center.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260226T140000
DTEND;TZID=Europe/London:20260409T160000
DTSTAMP:20260503T124526
CREATED:20260109T115213Z
LAST-MODIFIED:20260128T154246Z
UID:6497-1772114400-1775750400@www.diverseartistsnetwork.com
SUMMARY:Japanese-Style Painting 6-week course (Afternoon)
DESCRIPTION:Embark on an artistic journey in our Japanese-Style Painting Course. Whether you’re a seasoned artist or a beginner\, come and explore the dynamic dance of brushstrokes and nuances of black ink. Under the guidance of local artist Sachin Babbar\, the workshops are an invitation to practice the Zen of brushwork using calligraphy brushes\, black ink\, water\, and rice paper. Immerse yourself in capturing the essence and beauty of bamboo\, birds and beyond. Find calm and enjoyment in the meditative process and unleash your creativity as you allow your spirit to flow through the brush. \n**Testimonials** \n“Sachin’s workshop offered me a place to slow down and be grounded in the present moment. His gentle encouragement to be curious and playful with how the brush touched the page soothed my internal critique and invited room for creative expression without judgement. I was able to relax into it and really enjoyed the time to simply be with the brush strokes.” – Jessie Bain\, Trainee Clinical Psychologist \n“Overall\, it was an uplifting course\, something to look forward to with tangible results.” – Bristol Folk House attendee \n**What to Expect** \n– Guidance from local artist Sachin Babbar.\n– Use of calligraphy brushes\, black ink\, water\, and rice paper.\n– Techniques to capture the essence of plants and flowers.\n– A meditative and calming creative process.\n– Open to all skill levels\, from beginners to experienced artists. \n**General Workshop Structure:** \n1. Carrying out a short-guided meditation and exercises to loosen up\n2. Painting exercises to warm-up\n3. Playing with mark making\n4. Practising specific brush strokes related to final piece\n5. Creating final artwork of subject \nThe six week course (subject to change depending on students ability) \nWeek 1: Getting to know materials – Practicing Roses\nWeek 2: Bamboo\, leaf and trunk\nWeek 3: Bamboo\, leaf and stems\nWeek 4: Birds in flight\nWeek 5: Seasonal flowers\nWeek 6: Tigers \n**What is provide:** \n– Calligraphy brush\n– Ink and ink pots\n– Rice paper\n– It is advisable that students wear comfortable and or loose clothing. This style of painting is not typically messy\, but if students want to be safe\, dark clothing\, aprons\, or old clothes should be worn as a precaution to avoid any ink spills. \n*Note*\n– Basic brushes and paper will be provided.\n– However I highly recommend ordering a set of your own so you can practice by yourself. A link for brushes is at the bottom of this page. If you would like to order paper for self-study\, please order through myself (see ticket option on headfirst). \n**Location:** \nL’Étoile Studio – Art Space and Gallery\n18 West St\,\nBristol\nBS2 0BH \nPay and Display parking available in Gardiner Haskins Car Park as well as onstreet parking on Midlands Road\, Waterloo Road and St. Philips Rd. \nBrush link: https://www.amazon.co.uk/WSNDM-Calligraphy-Beginner-Excellent-Watercolour/dp/B0BZ7H5SYS/ref=sr_1_7?dib=eyJ2IjoiMSJ9.r1quHJ67CEvM0hz4J_8lPtmpj2CiJ1dtY1LYO8eR92NTQcN3sgw9hQGfpPzBLpQmUaDvqNscQ1v4RbXtErALaJji7m25OqsIdIb0xL-tYyRwwalrv430FhEHMZI7KOz7f1stU5myg276PTQ2cADSjhI7hLKKWSa-JdOQbqSdrtegOpkOizCCfp_fpT3wz7RpEgE8q-V12aXE_jOj3sVm_7ubl1tLM5DgQqiFIlHlD2K19eF6Gmb-i94m0XeQxjgv15OQWJ7LsQorBiF16p1zbvUzBb255TWD1NFMIY7Hbe4.Rf6r4oNnxaiCyf0njltWDpzfAPBCmNhXMKtkQTwfnec&dib_tag=se&keywords=chinese%2Bcalligraphy%2Bbrushes&qid=1765797573&s=officeproduct&sr=1-7&th=1 \nEntry requirements: 16+\, any under 18s accompanied by 21+ adult 1:1 ratio \nAccessibility Details\n\nEntrance and Seating: The studio is noted as being accessible for wheelchair users\, with potential wheelchair accessible seating.\nRestroom: The restroom is a gender-neutral facility\, but it is not wheelchair accessible.\nAssistance: Staff assistance can be requested.\nLocation Note: The gallery’s address is 18 West Street\, Bristol\, BS2 0BH. Note that it may appear in the wrong place on Google Maps; it is located to the left of the Ill Repute pub. 
URL:https://www.diverseartistsnetwork.com/event/japanese-style-painting-6-week-course-afternoon-2/
LOCATION:L’Étoile Studio – Art Space and Gallery\, 18 West St\, Bristol\, BS2 0BH
CATEGORIES:Our Members Events
ATTACH;FMTTYPE=image/jpeg:https://www.diverseartistsnetwork.com/wp-content/uploads/2026/01/Japanese-Painting-A4-2026.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260228T110000
DTEND;TZID=Europe/London:20260524T180000
DTSTAMP:20260503T124526
CREATED:20260319T193703Z
LAST-MODIFIED:20260407T120105Z
UID:7698-1772276400-1779645600@www.diverseartistsnetwork.com
SUMMARY:A land as big as her skin by Mounira Al Solh
DESCRIPTION:Lebanese artist Mounira Al Solh invites you into a vivid world where ancient mythology collides with contemporary experience. In this exhibition\, she poignantly and playfully navigates a multitude of complex themes such as identity\, migration\, trauma\, inequality and gender. \nThis multidisciplinary exhibition includes her critically acclaimed Venice Biennale pavilion installation A Dance with her Myth from 2024\, taking visitors on a journey through Middle Eastern mythology to contemporary times. \nFeatured image: Mounira Al Solh artist portrait in the exhibition A land as big as her skin at Arnolfini\, 2026\nImage credit: Remco Merbis\, courtesy of Arnolfini\, Bristol \nFor all ages. \nFor access information refer to venue’s website. \nABOUT MOUNIRA \nMounira Al Solh is a Lebanese visual artist born in 1978\, whose multidisciplinary practice spans video\, painting\, drawing\, embroidery and installation. Her work often explores themes of migration\, displacement\, identity and the political turmoil affecting the Middle East\, particularly Lebanon and Syria.\n@mouniraalsolh
URL:https://www.diverseartistsnetwork.com/event/a-land-as-big-as-her-skin-by-mounira-al-solh/
LOCATION:Arnolfini Arts\, 16 Narrow Quay\, Bristol\, BS1 4QA\, United Kingdom
CATEGORIES:DIASPORA! 2026,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.diverseartistsnetwork.com/wp-content/uploads/2026/03/Arnolfini-MouniraAlSolh-RM-1114-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260313T000000
DTEND;TZID=Europe/London:20260531T235959
DTSTAMP:20260503T124526
CREATED:20260320T070012Z
LAST-MODIFIED:20260404T103107Z
UID:7558-1773360000-1780271999@www.diverseartistsnetwork.com
SUMMARY:Returning by Jason Wesaw
DESCRIPTION:In this series of minimalist oil pastel drawings\, curated by Rainmaker Gallery\, Jason Wesaw reflects on reconnection\, resilience and the healing power of return. Through subtly textured surface and carefully chosen colour\, these meditative works unfold with quiet intensity. \nJason Wesaw is a multi-disciplinary artist\, educator\, and peacemaker. He is an enrolled member of the Potawatomi Nation in the Great Lakes region of the United States. His art practice spans many mediums including ceramics\, textiles and works on paper. @jasonwesaw
URL:https://www.diverseartistsnetwork.com/event/returning-by-jason-wesaw/
LOCATION:Rainmaker Gallery\, Rainmaker Gallery\, 140 Whiteladies Road\, Clifton\, Bristol\, BS8 2RS
CATEGORIES:DIASPORA! 2026,Exhibition,Festival
ATTACH;FMTTYPE=image/jpeg:https://www.diverseartistsnetwork.com/wp-content/uploads/2026/03/returning-exhibition-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260314T000000
DTEND;TZID=Europe/London:20260403T235959
DTSTAMP:20260503T124526
CREATED:20260306T123515Z
LAST-MODIFIED:20260306T123614Z
UID:7124-1773446400-1775260799@www.diverseartistsnetwork.com
SUMMARY:The Children of Mike
DESCRIPTION:An original play by Worms Theatre Company\, with an opening act by Pete the Temp. \nA story of the estranged human severed from ancient kinship. A collection of mischievous tales in which the more-than-human-world offers counsel to the lost human. \nThe story asks: Whose world is this? We live in boxes and walk in lines. When was the last time you wept to the mountain or cursed the bog? \nWorms Theatre Company seeks to affect social change through collective creativity. We are not-for-profit. \nThere shall be badgers\, pigeons\, microbes\, religion. There shall be dancing and deities. \nPrevious productions: \nThe Banality of Evil ★★★★★ “Brilliantly written and performed” \nThe Last Vagabonds ★★★★★ “A generational satire like no other” \nDates: \n14 March + 5 April at PRSC \n2 + 3 April at Cube Microplex \nEntry requirements: 16+
URL:https://www.diverseartistsnetwork.com/event/the-children-of-mike/
CATEGORIES:Our Members Events
ATTACH;FMTTYPE=image/jpeg:https://www.diverseartistsnetwork.com/wp-content/uploads/2026/03/e148606_i315357_s4.jpg
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